The Greek philosopher Aristotle set forward the guidelines for a catastrophe in his work Poetics. According to Aristotle, the tragicalal purpose in a tragedy is a person, not all(prenominal) good or bad, who begins in a rank of utmost(a) degree and greatness and then(prenominal) experiences a downfall overdue to a tragic dishonor. In the end of most tragedies, the citation comes to a realization of his flaw after enduring a great hold of suffering. William Shakespeare, an slope playwright of the 17th century, compose umpteen tragedies, including major force Lear and Othello, which exemplified the characteristics of a tragic hit man outlined by Aristotle. The master(prenominal) characters in King Lear and Othello share many of the traits essential to tragic characters, so far they differ in their particular proposition actions taken. At the start of the two plays, both King Lear and Othello are presented as manpower of a exaltedschool rank and importance. Othello is presented as a adventurous military imple workforcet war hero with the grand rank of a general. In Act 1, Othello boasts, I play my life and being / From men of royal siege, and my demerits / May mouth unbonneted to as proud a fortune / As this that I have reached (Shakespeare, Othello, I.ii.24-27). These lines indicate that Othellos desperate military acts give him a social status alike(p) with(predicate) to royalty.
It is evidenced that others view Othello as a man of high esteem when a senator remarks in reference to Othello, Here comes Brabantio and the courageous Moor (Othello, I.iii.55). King Lear appears to be a man of wealth, power, peace, and mind being in the reference of the play. Being a king, he has even more wealth and power than Othello; he controls the surface area of England and possesses the absolute power super acid of monarchs during the time of... If you want to go away a entire essay, order it on our website:
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