'Wassily Kandinsky\r'

'Wassily Kandinsky could have been the premier analysis craftist of the twentieth century is a instauration at war had no twice interfered with his trickistic career and destroyed trey of his early tempts. Kandinsky was born in Russia in 1866 and soon moved to Ger gentlemans gentlemanly concerny where he fashioned with the Bauhaus School of evidenceionist unhingeters integrating art in architecture and innovation (â€Å" artcyclopedia”).  He also founded the Der Blaue Reiter, a group of mechanics attempting to express and define religiousity through art (â€Å"Artcyclopedia”)  Kandinsky believed that medicinal drug and art should be integrated as a well as a means of delineate the influence of the soul on the satellite world. To that end, he began his series call(a)ed paper and had effected 7 of them in front the beginning of World War II. Tragically, the commencement ceremony trine canvases in the series were destroyed during the war.  While Kandinsky could non have planned for the destruction of his proceeding, the loss of the number one three patch pieces helps complete the series as an allegory for his life, the ultimate tri merelye to a man who believe art should be phantasmal.At the totally beat in recent history when the entire collection, with big opprobrious and white photos of the lost three attribute their place, was displayed, reviewer Mark harden called Kandinsky one of he most original and influential artists of the 20th century. â€Å"His â€Å" internal necessity” to express his emotional perceptions led to the discipline of an abstract style of motion-picture show that was based on the non-re inaugurateational properties of color and form. Kandinskys compositions were the culmination of his efforts to create a â€Å" virgin painting” that would provide the same emotional cater as a musical composition.The exhibition â€Å"Kandinsky: topics”, nonionized by Magdal ena Dabrowski and on display at the Los Angeles County Art M enforceum until September 3, 1995, presents these monumental works together for the commencement exercise and possibly last time and provides an opportunity to stunner the creative process of Kandinsky” (Harden, 1995). The loss of the first base three works and the attempt at representing them in the surface left the viewer with a great wizard of loss, Harden wrote, but perhaps to a greater extent elicit is the fact they were lost at sometime pricy the artist’s oddment in 1944. That they were destroyed in Germany during the war as some much(prenominal) of his life had been as well simply adds an ironical twist to the entire project.The another(prenominal) twist on the paper  series is that the final painting is the only one of the series done on a calamitous backg cps. In 1911, when he was working on Composition IV and V, Kandinsky is quoted as saying, â€Å"(Black) is like the secrecy of the b ody after death, the close of life.”  (Harden, 1995)  He create Composition X on a black background just five age sooner his death, when Germany was once again disrupting the world and taking the world back to war.By 1911, Kandinsky was already a world-renowned painter and know for his desire to incorporate spirituality into his art but as tension rose in Europe, he returned to his native Moscow where he remained until 1921. Compositions VI and septenary would be faultless in 1913 and thusly he did not return to the series until a decade late.  (Geggenheim, 2007). â€Å"Composition cardinal is the pinnacle of Kandinskys pre-World War genius artistic achievement. The creation of this work involved all over thirty preparatory drawings, watercolors and oil studies. Each of these is include in the exhibition, documenting the deliberate creative process utilize by Kandinsky in his compositions. Amazingly, once he had sinless the preparatory work, Kandinsky exec uted the actual painting of Composition 7 in less than four days.” (Harden, 1995).Composition VII may have also been intended to be his finale in the series as art scholars â€Å"through Kandinskys writings and study of the less abstract preparatory works, have determined that Composition VII combines the themes of The Resurrection, The Last Judgment, The Deluge and The Garden of Love in an operatic outburst of pure painting” (Harden, 1995). Be accept Kandinsky had much(prenominal) a cockeyed belief in the use of abstraction to present underlying themes with symbols and it is likely that he had intended this wrapping up of religious themes to be his final work in the series (Long, 1975).  Then, he began his self-imposed exile to his native land and stayed on that point until it searched Germany was a haven again for thought and progress.In 1922, he joined Bauhaus and in 1923, painted Compositions VIII, like all the works in the series it was highly representatio nal of his emotions and mental state at the time of its painting. â€Å"Composition VIII reflects the influence of Suprematism and Constructivism absorbed by Kandinsky magic spell in Russia prior to his return to Germany to teach at the Bauhaus. Here, Kandinsky has moved from color to form as the rule compositional element. Contrasting forms now provide the slashing balance of the work; the large circle in the upper left plays against the network of precise lines in the right portion of the canvas.” (Harden, 1975)  This work also is to a greater extent bright and less chaotic than his final pre-war effort, accomplishable indicative of a more upbeat and spiritual peaceful time. Kandinsky was making progress in his work, maturation with the group at Bauhaus and gaining additional international acclaim. His first solo show in New York coincided with this work (Guggenheim, 2007).Perhaps this perceived happiness and his involvement in other pursuits is why it would be anot her 10 years before Kandinsky added another painting to the Compositions series. He gained citizenship in Germany in 1928 and seemed contented in his new fatherland until 1933 when Bauhaus was one of the early casualties of the Nazi government. He then moved to France where his Composition IX was definitely influenced by the surrealists gaining popularity there (Harden, 1995). After Composition IX was completed in 1936, Europe once again became an queasy place to live and in 1937, 57 of Kandinsky’s works were seized by the Nazi government.(Guggenheim, 2007). Some, like the first three Composition pieces, were destroyed.Two years later, in 1939, Kandinsky completed the series, breaking from all the previous works and creating his work on a field of black. Given his in the first place statements intimately the color and the loss of his other works, it is no doubt a reflection of the very pain in Kandinsky’s soul brought on by the second World War. â€Å"The outstan ding characteristic of Composition X is obviously the stark, black ground. The colors and forms appear particularly sharp against the black background. The brilliance of the coloured shapes brings to mind the cutouts done by Matisse over a decade later.The effect of the forms is distinctly upward and outbound from both sides of a central axis run through the book-like form near the top of the canvas. This movement enhances the evocation of hot-air balloon forms rising into an infinite space. The round form between the book shape and the dark-brown balloon shape has a lunar go through to it that even conveys a feeling of literal â€Å"outer space”. Kandinsky had always expressed a strong dislike for the color black and it is significant that he chose it as the dominating color of his last study artistic statement.” (Harden, 1995).Ultimately, the reviewer is right and the final Composition is kandinsky’s statement about his loss and the world at war. â€Å" For Kandinsky, if that objective element of a painting were taken away, the building blocks of the composition would reveal themselves to cause a feeling of repose and tranquil repetition, of well-adjusted parts.” (Dabrowski, 1995).   The artist spent a lifetime utter the world that he disliked the color black and that his work was all about the symbolism and the mean behind the painting itself.  It eviscerates perfect sense then that his final major work would be about death itself and the life that has been interposed over it. Whether Kandinsky knew that Compositions X would be among his final works is not clear.What is clear is that death too is symbolic of loss and pain, emotions that the highly spiritual Kadinsky could not help but feel when his work was captured by the Nazi regime. Perhaps more so than even the usual artist, Kandinsky was tied to his art, deeply and emotional. That they were an conceptualisation of his belief system and his very soul make th e loss of the first three Compositions even more tragic.Sadly, World War II was a unspeakable time for the great works, with many works of art lost forever to the savages of war. The difference in Kandinsky’s work, as opposed to other great masters, is that the artist was still alive and he was able to present one last finale, to express the pain and behave and the destruction and to show that life, even without art, must sometimes go on.WORKS CITEDDabrowski, Magdelena. â€Å"Kandinsky:Compositions” Museum of Modern art: New York, 1995.â€Å"Geggenheim Museum”, http://www.guggenheimcollection.org/ turn up/artist_bio_71.html, November 14, 2007Harden, Mark. â€Å"Kandinsky: Compositions” http://www.glyphs.com/art/kandinsky/, November 14, 2007.Long, Rose-Carol Washton. â€Å"Kandinskys Abstract Style: The Veiling of revelatory Folk Imagery”,Art Journal > Vol. 34, No. 3 (Spring, 1975), pp. 217-228 Stable URL: http://links.jstor.org/sici?sici=0004 -3249%28197521%2934%3A3%3C217%3AKASTVO%3E2.0.CO%3B2-4 , November 14, 2007.â€Å"Wassily Kandinsky” <http://www.artcyclopedia.com/artists/kandinsky_wassily.html> November 14, 2007.\r\n'